The arrival of European settlers shifted the whole dynamic in canada. The Indigenous communities in Canada had European visitors and we see how the whole dynamic changed and how the settlers impacted the indigenous communities. The second part of this blog will see the experiences of Glen Geer and indigequeer artist who talks about his artistic work and how that’s connected with his roots.
In the early years of the creation of North America, European settlers were sent to explore the americas. When the European settlers came they were welcomed with an unexpected surprise. That surprise ended up being the indigenous people(firstnation). To the settlers this was an unexpected sighting because of their looks,the way they dressed, where they lived and the language these people spoke.”Cultural, economically,socially, and linguistically,Aboriginal societies in North America before the arrival of Europeans were diverse”(p.1). In the beginning the Europeans just started building their own settlements and tried establishing relationships with the First Nations people. According to historians and other historical articles, after seeing the way First Nations peoples lived and how their culture worked the settlers immediately sought out ways to bring the European lifestyle to North America. Example countries like France and England generally started with establishing trading posts and economic exploitation. Some countries like Portugal and Spain focused more on the religious aspects and cultural assimilation through forced labor. In more recent history towards the 19th-20th century we saw the beginning of residential schools. All these assimilation methods and tactics were all a part of stripping the identities of the First Nations people. This has caused years of pain and unanswered questions by the Canadian government
Glen Geer identifies himself as an Indigequeer artist. His artwork is typically representative of his Inuit roots. He uses animals such as seals and caribou and many more. He also uses what nature has to offer. In some of his works he puts a lot of water, wind sounds and trees and even the orange metal crate. In Geer’s presentation he talks about going back to his inuit roots and connecting with his family’s past. You can relate his feelings of missing the identity of his roots to the treachery the Europeans committed when they first came to Canada but also North America. I think that Glen’s art is a way of rebuilding his Inuit identity that was taken by the settlers and a way for him to connect with his past that he was never there to experience. Although he never mentioned that he felt that as if his inuit roots and identity were not taken from, his artwork and past experiences with elders and family members in his inuit community show that he has missing pieces still to fill internally regarding his inuit identity.
Throughout this chapter in the course I did see different views regarding peoples’ identity and how that can be lost due to past experiences. I think that now in the 21st century the indigenous communities around canada are really trying to make up for years of misidentification. We see how forms of art can be a method of going back to your roots and reclaiming his identity like Glen Geer and how protests regarding residential schools are actually making a difference and forcing the government to make decisions on the past misfortunes. I think that it’s important to view other people’s point of view when talking about this subject because you learn about how others’ experiences can give you that different perspective.
Although it may be hard to find a path to a person’s missing path, going back to traditional ways and gaining deeper connections with your past can allow you to find those missing paths from the past to recreate your identity.
Bibliography:
Glenn Gear, presenter. 29 Apr. 2024, Montreal, Vanier College.
Keough, Willeen G. and Lara Campbell “Gender and Cultural Diversity in the Early Contact Period.” Gender
History: Canadian Perspectives, Oxford University Press, 2014, pp. 16–28
Zosherafatain, Tony. “Trans in Trumpland: Idaho.” Kanopy, The Film Sales Company,
http://www.kanopy.com/en/vaniercollege/video/11561418. Accessed 29 Apr. 2024.